Ringed and Tracked

Frank McMahon’s poem ‘Ringed and Tracked’ has just been published in issue 30 of the Riggwelter Press.

The poem contrasts the lives of a bird, which is ringed for research purposes and a man, electronically tagged as part of a community sentence.Riggwelter is a journal of creative arts founded by Jonathan Kinsman in 2017. It releases an issue once a month, containing poetry, short , visual art and experimental media. Riggwelter also releases reviews and essays on an as and when basis. In 2018 and 2019, it was shortlisted for a Saboteur Award for Best Magazine.

To read ‘Ringed and Tracked’ follow this link.

Shout Out for New Members

 

Looking to join an established, lively and successful group?

The members of Somewhere Else have grown as individual writers through sharing our work and offering/receiving constructive feedback; creative exercises; joint projects like plays, radio programmes, guest speakers and being open to new ideas.

We meet weekly, also hold meetings using ZOOM and work within COVID guidelines.

So, if this is what you are looking for, then send us an email  via our contacts page, and we will be in touch to arrange a meeting/discussion.

Frank McMahon, Chair, SEWG.

More Poetry Success

The group struck poetry gold in the Gloucestershire Poetry Society Competition with two of Frank McMahon’s poems ‘ Panopticon’ and ‘Why?’ being shortlisted, in addition to Iris Anne Lewis’s first prize place.

The Gloucestershire Poetry Society boasts national and international poets in its ranks but everyone is welcome, whether you have been writing for 10 months, 10 years, or a lifetime.

Amongst other activities, it co-ordinates open mic nights, workshops, and an annual poetry festival.To find out more go to their site here.

The Dark Hill Speaks

Iris Anne Lewis has been awarded 1st prize in the Gloucestershire Poetry Society competition for her poem The Dark Hill Speaks.

Judge Belinda Rimmer said of the poem: ‘As the title implies, this poem delves below the surface of things. There’s a strong connectedness between the different elements of art, poetry and landscape. They inform each other beautifully, darkly. I enjoyed the shape of the poem, reflecting perhaps the uniformity of ceramic pots. The poem was unsettling, elusive, and invited multiple readings. It rose slowly to the top, carrying me through to the last poignant line.’ 

The Dark Hill Speaks was inspired by Graham Sutherland’s painting Dark Hill, and will be published in the inaugural issue of ‘Steel Jackdaw’ later this year.

Cannon’s Mouth and Trouvaille Review

Frank McMahon has had two successes recently.

Emperor Akhbar Seeks Ultimate Wisdom was published in The Cannon’s Mouth in June this year. It was inspired by a visit to the former capital of the Mughal Empire, founded in 1571, where the Emperor would met with scholars from different faiths to discover which, if any, had the ultimate truth.

Rose Garden, was published on-line in Trouvaille Review in July this year.

Black Bough Poetry launches Deep Time Volume 1

Inspired by the deep time adventures of Robert McFarlane in Underland (2019), Black Bough Poetry’s anthology Deep Time is the first of two volumes dedicated to prehistory, mythologies, geological time and underworlds. In this volume, poets from across the world explore subterranean and submarinal environments, uncover the traces of the past in mining and archaeology and evoke the myths of ancestors.

Somewhere Else writer, Iris Anne Lewis, is delighted that her poem Swan Song in the Geissenklösterle Cave is featured in the anthology. You can listen to Iris reading her poem here.

Beautifully illustrated by Rebecca Wainwright, Deep Time is available from Amazon. An online version will be available on the Black Bough website in due course. In the meantime Black Bough Poetry has released a playlist of the poets reading their work introduced by music especially composed to accompany the poetry. You can find the play list here.

Listening to the music and the voices exploring these subterranean places is quite a meditative experience, so why not carve out an hour of your time, get yourself a cup of coffee or glass of wine and listen to this collection of work which Robert MacFarlane describes as ‘both contemporary and mythic, urgent and ancient. Strange voices for strange times sing out here’.